Analytical and Rheological Study of Existentialist Aspects in Dramatic Literature with a Look at the Dramatic Works of Jean-Paul Sartre: (Case study: Nausea, Dirty Hands, Devil and Good Lord)

Abstract

The real purpose of this article is to study the etymology of existentialism in the field of dramatic literature with a particular look at three great works by Jean Paul Sartre titled as “Nausea, “Dirty Hands” and “Devil and Good Lord”. Jean-Paul Sartre has been able to take a new look at dramatic literature within the limits of existence. According to the findings, it is obvious that Sartre relied on a non-existent existence and believes in fundamental deconstruction in all social and cultural contexts. In the meantime, he had considered the Platonic, Aristotelian, and Socratic perspectives and opened the doors towards the dramatic world because he had good knowledge of drama. Sartre's dialogues and monologues show how he views the world and the hereafter. This essay intends to find the correct answer to the question of what are the main reasons for the presence of existentialism in Sartre's plays. How, when and where was it formed? What philosophical concepts has Sartre used in his plays? To what extent has Sartre's political and social orientations appeared in his plays? How effective was Sartre's characterization in his plays in expressing his philosophical thoughts? This paper is descriptive-analytical and library-documentary, and finally analyzed by qualitative content analysis .