Aesthetical Centrality of Amorous Statements in the Poem by Garuce Abdolmalekian with an Emphasis on the Lyrical Triangle of Blood, Love and Death

Abstract

: It is highly important to pay attention to the amorous statements’ aesthetical aspects for recognition of the lyrical streaks when criticizing the contemporary poetry. Garuce Abdolmalekian is a young poet who has taken advantage of his inherent verve and talent and applied different techniques to come to a live and dynamic language. Efforts have been made in the current article to analyze the various examples and themes showing off with a novel approach in Garuce’s poems so that these amorous concepts that have been internalized in his poems can be investigated via offering various images of them; to do so, the book “nothing is fresh as death” has been selected. The literary concepts of this research are in a movement from whole to part and indicators like symbolism, image and imagism will be explored from the aesthetical as well as lyrical beauty perspectives followed by revealing of the other examples posited in the aestheticism in respect to the poems by Garuce Abdolmalekian. It seems that Garuce has been able in this artistic collection of his to skillfully deal with literary creation through by means of lyrical poetry in such a way that lexicological and semantic investigation of three words of “love”, “blood” and “death” by giving centrality to the lyrical aesthetics’ power makes it clear that traces of a love of modern type can be found in his poetry with a different aesthetical account of thanatopsis amongst his other lyrical moods.