SPECIFICITY OF NATIONAL VISION IN COSTUME

Abstract

Artistic vision in this article is understood as a means of interpretation through a visual artistic image of a picture of the world, such as culture, mentality. Artistic vision and national costume are closely related concepts. The costume opened the door to the world of aesthetics that existed in a national form. The first images of childhood laid the primary aesthetics of consciousness. The organic correlation of all the elements of the costume fundamentally laid down the idea of harmony, coordination of all elements, as the main aesthetic value. This way formed the logic of aesthetics, i.e. formed a natural taste. The analysis uses the national costume as it was formed by the beginning of the XX century. In this article, we will consider the problem of national artistic vision through a comparative analysis of expressive means in costume, of the territorially neighboring peoples of Russia - the Chuvashs and Tatars. The costume, like other household items, such as furniture, dishes, textiles, has a dual nature - utilitarian and aesthetic. The utilitarian side of the item is related to the climatic conditions of the country where the costume was used. The aesthetic ideal reflected the idea of the "ideal man" in different eras, his inner essence and appearance. The problem of artistic vision in the visual arts is associated with such aspects of art criticism as visual perception, aesthetic perception, artistic thinking, the language of the visual arts, the artistic image in the visual arts, and national art.